Analysis Essay Example | Topics and Well Written Essays - 750 words - 15

Analysis - Essay Example In the beginning of the song, there is the sound of the piano solo which is heard for approximately three minutes before other instruments are heard, however, other instruments can be heard at the background very faintly, a constant steady tempo is experienced throughout the song. In those three minutes, the piano changes its pitch considerably. It starts at a considerably high note but goes to a low key at 0.47, it goes on a high key at 1.00 and it is highest at 1.34. The background instruments can be heard very loud at 1.50. The introduction of the trumpet can be heard at3.05 with a raise in the sound key and plays at an upbeat tune for about 40seconds. At 4.09, the piano is low while the saxophone and the trumpet play at the background. The highest note of the song comes at 4.49 where many instruments are used at the same time loudly. Variety is achieved here as the piano is now on bass. At 5.42, the saxophone, drums and the piano create a harmonious melody in a low pitch and the song is slow at this point. At approximately, 7.11, the music sounds are lengthened and they play at a slow rate. The unity at the beginning and repetition of the main theme of the song creates a vivid picture which is marked by low notes as in 1.00, 2.44, and 6.02. This type of song is a classic song of the bossa-nova class and shares many features with jazz such as the use of the trumpet the saxophone and the background use of drum which was used to keep the tempo. The song uses dynamics to achieve unity and variety in sound volumes. The song opens softly at the beginning with a piano solo in a rather slow note which creates unity. Alternate low and high keys of the piano are used until the 4.49 when the song is very loud. Many instruments can be heard at that point with an upbeat tune. The song not only achieves unity through the use of repetition and a variety of instruments but also by use of dynamics. The unity and variety in

A Brief History of English and American Literature Essay Example for Free

A Brief History of English and American Literature Essay The Norman conquest of England, in the 11th century, made a break in the natural growth of the English language and literature. The old English or Anglo−Saxon had been a purely Germanic speech, with a complicated grammar and a full set of inflections. For three hundred years following the battle of Hastings. this native tongue was driven from the kings court and the courts of law, from parliament, school, and university. During all this time there were two languages spoken in England. Norman French was the birth−tongue of the upper classes and English of the lower. When the latter finally got the better in the struggle, and became, about the middle of the 14th century, the national speech of all England, it was no longer the English of King Alfred. It was a new language, a grammarless tongue, almost wholly {12} stripped of its inflections. It had lost a half of its old words, and had filled their places with French equivalents. The Norman lawyers had introduced legal terms; the ladies and courtiers, words of dress and courtesy. The knight had imported the vocabulary of war and of the chase. The master−builders of the Norman castles and cathedrals contributed technical expressions proper to the architect and the mason. The art of cooking was French. The naming of the living animals, ox, swine, sheep, deer, was left to the Saxon churl who had the herding of them, while the dressed meats, beef, pork, mutton, venison, received their baptism from the table−talk of his Norman master. The four orders of begging friars, and especially the Franciscans or Gray Friars, introduced into England in 1224, became intermediaries between the high and the low. They went about preaching to the poor, and in their sermons they intermingled French with English. In their hands, too, was almost all the science of the day; their medicine, botany, and astronomy displaced the old nomenclature of leechdom, wort−cunnin g, and star−craft. And, finally, the translators of French poems often found it easier to transfer a foreign word bodily than to seek out a native synonym, particularly when the former supplied them with a rhyme. But the innovation reached even to the commonest words in every−day use, so that voice drove out steven, poor drove out earm, and color, use, and place made good their footing beside hue, {13}wont, and stead. A great part of the English words that were left were so changed in spelling and pronunciation as to be practically new. Chaucer stands, in date, midway between King Alfred and Alfred Tennyson, but his English differs vastly more from the formers than from the latters. To Chaucer Anglo−Saxon was as much a dead language as it is to us. The classical Anglo−Saxon, moreover, had been the Wessex dialect, spoken and written at Alfreds capital, Winchester. When the French had displaced this as the language of culture, there was no longer a â€Å"kings English† or any literary standard. The sources of modern standard English are to be found in the East Midland, spoken in Lincoln, Norfolk, Suffolk, Cambridge, and neighboring shires. Here the old Anglian had been corrupted by the Danish settlers, and rapidly threw off its inflections when it became a spoken and no longer a written language, after the Conquest. The West Saxon, clinging more tenaciously to ancient forms, sunk into the position of a local dialect; while the East Midland, spreading to London, Oxford, and Cambridge, became the literary English in which Chaucer wrote. The Normans brought in also new intellectual influences and new forms of literature. They were a cosmopolitan people, and they connected England with the continent. Lanfranc and Anselm, the first two Norman archbishops of Canterbury, were learned and splendid prelates of a {14} type quite unknown to the Anglo−Saxons. They introduced the scholastic philosophy taught at the University of Paris, and the reformed discipline of the Norman abbeys. They bound the English Church more closely to Rome, and officered it with Normans. English bishops were deprived of their sees for illiteracy, and French abbots were set over monasteries of Saxon monks. Down to the middle of the 14th century the learned literature of England was mostly in Latin, and the polite literature in French. English did not at any time altogether cease to be a written language, but the extant remains of the period from 1066 to 1200 are few and, with one exception, unimportant. After 1200 English came more and more into written use, but mainly in translations, paraphrases, and imitations of French works. The native genius was at school, and followed awkwardly. The Anglo−Saxon poetry, for example, had been rhythmical and alliterative. It was commonly written in lines containing four rhythmical accents and with three of the accented syllables alliterating. R_este hine thà ¢ r_à ºm−heort; r_à ©ced hlifade G_eà ¡p and g_à ³ld−fà ¢h, gà ¤st inne swà ¤f. Rested him then the great−hearted; the hall towered Roomy and gold−bright, the guest slept within. This rude energetic verse the Saxon scà ´p had sung to his harp or glee−beam, dwelling on the {15} emphatic syllables, passing swiftly over the others which were of undetermined number and position in the line. It was now displaced by the smooth metrical verse with rhymed endings, which the French introduced and which our modern poets use, a verse fitted to be recited rather than sung. The old English alliterative verse continued, indeed, in occasional use to the 16th century. But it was linked to a forgotten literature and an obsolete dialect, and was doomed to give way. Chaucer lent his great authority to the more modern verse system, and his own literary models and inspirers were all foreign, French or Italian. Literature in England began to be once more English and truly national in the hands of Chaucer and his contemporaries, but it was the literature of a nation cut off from its own past by three centuries of foreign rule. The most noteworthy English document of the 11th and 12th centuries was the continuation of the Anglo−Saxon chronicle. Copies of these annals, differing somewhat among themselves, had been kept at the monasteries in Winchester, Abingdon, Worcester, and elsewhere. The yearly entries were mostly brief, dry records of passing events, though occasionally they become full and animated. The fen country of Cambridge and Lincolnshire was a region of monasteries. Here were the great abbeys of Peterborough and Croyland and Ely minster. One of the earliest English songs tells how the savage heart of the Danish {16} king Cnut was softened by the singing of the monks in Ely. Merie sungen muneches binnen Ely Tha Cnut chyning reu ther by; Roweth, cnihtes, noer the land, And here we thes muneches sang. It was among the dikes and marshes of this fen country that the bold outlaw Hereward, â€Å"the last of the English,† held out for some years against the conqueror. And it was here, in the rich abbey of Burch or Peterborough, the ancient Medeshamstede (meadow−homestead) that the chronicle was continued for nearly a century after the Conquest, breaking off abruptly in 1154, the date of King Stephens death. Peterborough had received a new Norman abbot, Turold, â€Å"a very stern man,† and the entry in the chronicle for 1170 tells how Hereward and his gang, with his Danish backers, thereupon plundered the abbey of its treasures, which were first removed to Ely, and then carried off by the Danish fleet and sunk, lost, or squandered. The English in the later portions of this Peterborough chronicle becomes gradually more modern, and falls away more and more from the strict grammatical standards of the classical Anglo−Saxon. It is a most valuable historical monument, and some passages of it are written with great vividness, notably the sketch of William the Conqueror put down in the year of his death (1086) by one who had â€Å"looked upon him and at another time dwelt in his court.† {17} â€Å"He who was before a rich king, and lord of many a land, he had not then of all his land but a piece of seven feet. . . . Likewise he was a very stark man and a terrible, so that one durst do nothing against his will. . . . Among other things is not to be forgotten the good peace that he made in this land, so that a man might fare over his kingdom with his bosom full of gold unhurt. He set up a great deer preserve, and he laid laws therewith that whoso should slay hart or hind, he should be blinded. As greatly did he love the tall deer as if he were their father.† With the discontinuance of the Peterborough annals, English history written in English prose ceased for three hundred years. The thread of the nations story was kept up in Latin chronicles, compiled by writers partly of English and partly of Norman descent. The earliest of these, such as Ordericus Vitalis, Simeon ofDurham, Henry of Huntingdon, and William of Malmesbury, were contemporary with the later entries of the Saxon chronicle. The last of them, Matthew of Westminster, finished his work in 1273. About 1300 Robert, a monk of Gloucester, composed a chronicle in English verse, following in the main the authority of the Latin chronicles, and he was succeeded by other rhyming chroniclers in the 14th century. In the hands of these the true history of the Saxon times was overlaid with an ever−increasing mass of fable and legend. All real knowledge of the period {18} dwindled away until in Capgraves Chronicle of England, written in prose in 1463−64, hardly any thing of it is left. In history as in literature the English had forgotten their past, and had turned to foreign sources. It is noteworthy that Shakspere, who borrowed his subjects and his heroes sometimes from authentic English history, sometimes from the legendary history of ancient Britain, Denmark,and Scotland, as in Lear, Hamlet, and Macbeth, ignores the Saxon period altogether. And Spenser, who gives in his second book of the Faerie Queene, a resumà © of the reigns of fabulous British kings—the supposed ancestors of Queen Elizabeth, his royal patron—has nothing to say of the real kings of early England. So completely had the true record faded away that it made no appeal to the imaginations of our most patriotic poets. The Saxon Alfred had been dethroned by the British Arthur, and the conquered Welsh had imposed their fictitious genealogies upon the dynasty of the conquerors. In the Roman de Rou, a verse chronicle of the dukes of Normandy, written by the Norman Wace, it is related that at the battle of Hastings the French jongleur, Taillefer, spurred out before the van of Williams army, tossing his lance in the air and chanting of â€Å"Charlemagne and of Roland, of Oliver and the peers who died at Roncesvals.† This incident is prophetic of the victory which Norman song, no less than Norman arms, was to win over England. The lines which Taillefer {19} sang were from the Chanson de Roland, the oldest and best of the French hero sagas. The heathen Northmen, who had ravaged the coasts of France in the 10th century, had become in the course of one hundred and fifty years, completely identified with the French. They had accepted Christianity, intermarried with the native women, and forgotten their own Norse tongue. The race thus formed was the most brilliant in Europe. The warlike, adventurous spirit of the vikings mingled in its blood with the French nimbleness of wit and fondness for display. The Normans were a nation of knights−errant, with a passion for prowess and for courtesy. Their architecture was at once strong and graceful. Their women were skilled in embroidery, a splendid sample of which is preserved in the famous Bayeux tapestry, in which the conquerors wife, Matilda, and the ladies of her court wrought the history of the Conquest. This national taste for decoration expressed itself not only in the ceremonious pomp of feast and chase and tourney, but likewise in literature. The most characteristic contribution of the Normans to English poetry were the metrical romances or chivalry tales. These were sung or recited by the minstrels, who were among the retainers of every great feudal baron, or by the jongleurs, who wandered from court to castle. There is a whole literature of these romans d aventure in the Anglo−Norman dialect of French. Many of them are {20} very long—often thirty, forty, or fifty thousand lines—written sometimes in a strophic form, sometimes in long Alexandrines, but commonly in the short, eight−syllabled rhyming couplet. Numbers of them were turned into English verse in the 13th, 14th, and 15th centuries. The translations were usually inferior to the originals. The French trouvere (finder or poet) told his story in a straight−forward, prosaic fashion, omitting no details in the action and unrolling endless descriptions of dresses, trappings, gardens, etc. He invented plots and situations full of fine possibilities by which later poets have profited, but his own handling of them was feeble and prolix. Yet there was a simplicity about the old French language and a certain elegance and delicacy in the diction of the trouveres which the rude, unformed English failed to catch. The heroes of these romances were of various climes: Guy of Warwick, and Richard the Lion Heart of England, Havelok the Dane, Sir Troilus of Troy, Charlemagne, and Alexander. But, strangely enough, the favorite hero of English romance was that mythical Arthur of Britain, whom Welsh legend had celebrated as the most formidable enemy of the Sassenach invaders and their victor in twelve great battles. The language and literature of the ancient Cymry or Welsh had made no impression on their Anglo−Saxon conquerors. There are a few Welsh borrowings in the English speech, such as bard and druid; but in the old Anglo−Saxon literature there are {21} no more traces of British song and story than if the two races had been sundered by the ocean instead of being borderers for over six hundred years. But the Welsh had their own national traditions, and after the Norman Conquest these were set free from the isolation of their Celtic tongue and, in an indirect form, entered into the general literature of Europe. The French came into contact with the old British literature in two places: in the Welsh marches in England and in the province of Brittany in France, where the population is of Cymric race and spoke, and still to some extent speaks, a Cymric dialect akin to the Welsh. About 1140 Geoffrey of Monmouth, a Benedictine monk, seemingly of Welsh descent, who lived at the court of Henry the First and became afterward bishop of St. Asaph, produced in Latin a so−called Historia Britonum in which it was told how Brutus, the great grandson of Aeneas, came to Britain, and founded there his kingdom called after him, and his city of New Troy (Troynovant) on the site of the later London. An air of historic gravity was given to this tissue of Welsh legends by an exact chronology and the genealogy of theBritish kings, and the author referred, as his authority, to an imaginary Welsh book given him, as he said, by a certain Walter, archdeacon of Oxford. Here appeared that line of fabulous British princes which has become so familiar to modern readers in the plays of Shakspere and the poems of Tennyson: Lear and his {22} three daughters; Cymbeline, Gorboduc, the subject of the earliest regular English tragedy, composed by Sackville and acted in 1562; Locrine and his Queen Gwendolen, and his daughter Sabrina, who gave her name to the river Severn, was made immortal by an exquisite song in Miltons Comus, and became the heroine of the tragedy of Locrine, once attributed to Shakspere; and above all, Arthur, the son of Uther Pendragon, and the founder of the Table Round. In 1155 Wace, the author of the Roman de Rou, turned Geoffreys work into a French poem entitled Brut d Angleterre, â€Å"brut† being a Welsh word meaning chronicle. About the year 1200 Waces poem was Englished by Layamon, a priest of Arley Regis, on the border stream of Severn. Layamons Brut is in thirty thousand lines, partly alliterative and partly rhymed, but written in pure Saxon English with hardly any French words. The style is rude but vigorous, and, at times, highly imaginative. Wace had amplified Geoffreys chronicle somewhat, but Layamon made much larger additions, derived, no doubt, from legends current on the Welsh border. In particular the story of Arthur grew in his hands into something like fullness. He tells of the enchantments of Merlin, the wizard; of the unfaithfulness of Arthurs queen,Guenever; and the treachery of his nephew, Modred. His narration of the last great battle between Arthur and Modred; of the wounding of the king—â€Å"fifteen fiendly wounds he had, one might in the least {23} three gloves thrust—†; and of the little boat with â€Å"two women therein, wonderly dight,† which came to bear him away to Avalun and the Queen Argante, â€Å"sheenest of all elves,† whence he shall come again, according to Merlins prophecy, to rule the Britons; all this left little, in essentials, for Tennyson to add in his Death of Arthur. This new material for fiction was eagerly seized upon by the Norman romancers. The story of Arthur drew to itself other stories which were afloat.

Ethnicity :: Personal Narrative Racial Papers

Ethnicity While I was first contemplating this project, I was sitting on my older-than-the-hills brown couch in my apartment. My roommate, Michelle, plopped on the couch opposite me and asked, â€Å"What do you want to do for lunch?† â€Å"I dunno,† I responded while channel surfing through the five channels we receive. â€Å"Let’s go out and try something new,† she said daringly. I thought to myself, hmm, I could do a project and eat out at the same time? â€Å"Ok, where should we go?† Suddenly, as if it was a sign from above, a commercial for Santa Lucia’s, the Greek restaurant in town, appeared on the television. Instantly, we knew it was the place to go. â€Å"Good Better Best, Never Let it Rest, Until the Good Becomes Better and the Better Becomes the Best,† the commercial kept echoing in my head on the way there-wait, no that was my roommate who would not quit repeating Santa Lucia’s motto. On the way there we looked at each other and said simultaneously, â€Å"Should we have dressed up for it?† â€Å"Well,† I said, â€Å"on the commercial it doesn’t look like too classy of a place. I think we are fine.† â€Å"Good, I hope so,† said Michelle as she looked down at our jeans and t-shirts. Our hopes were confirmed as we pulled into the parking lot of the restaurant, which is tucked away in the corner behind West Park Auto Plaza. There were beer signs littering the windows. It could not be that classy of a place. Right? â€Å"What do they serve here, Heather? Am I going to like it?† asked Michelle, who by the way is the pickiest eater in the world. â€Å"I hope so,† I responded as we entered the building. â€Å"Uh-oh. Maybe we should have dressed up,† I thought to myself out loud for a moment while taking in the view. When you enter from the street into the building it’s like you are entering a completely different world. The lighting is dim. Tables for two, four, six and eight are scattered throughout the room in the usual non-smoking and smoking sections. The tables themselves are unique looking. The wooden tables and chairs are set on the plush carpet. The black tablecloths are topped with a shiny glass cover. The tables are set with silverware and wine glasses with a napkin creatively set inside. The one thing that caught my eye was the statue and the fountain.

Characterization of Mr. Jack Stapleton in Doyle’s Hound of the Baskervilles

Authors use the four methods of Characterization to develop and describe characters in their story by using the narration and the thoughts of other participants to show how the character looks, behaves, and sounds. In The Hound of the Baskervilles, author, Sir Arthur Conan Doyle utilizes Characterization to bring to life the antagonist of the story, Mr. Jack Stapleton. Normally, an author uses physical appearance to intimate the personality of the character. In Doyle's book, the narrator describes Mr. Jack Stapleton’s physical appearance: â€Å"He was a small, slim, clean-shaven, prim-faced man, flaxen-haired, and lean-jawed, between thirty and forty years of age, dressed in a gray suit, and wearing a straw hat. A tin box for botanical specimens hung over his shoulder and he carried a green butterfly-net in one of his hands. † (Doyle 89) While reading this it is impossible to detect the evil in Mr. Stapleton. Doyle uses the calm facade of Mr. Stapleton to trick the read er into thinking that there is nothing odd or malevolent about him yet he is a scheming manipulative villain.One cannot judge simply by outward appearance, for his looks deceive the reader which is why other methods are used to determine a character. A character's speech, thoughts and actions can reveal more about who they are and their personality. For example in Doyle’s book, Mr. Stapleton’s actions and words show his personality more explicitly, ‘† But, dear me what’s this? Somebody hurt? Not—don’t tell me that it is our friend Sir Henry! ’ He hurried past me and stooped over the dead man.I heard intake of his breath and the cigar fell from his fingers. ‘Who—who is this? ’ he stammered ‘It is Seldon, the man who escaped from Princetown. ’ Stapleton turned a ghastly face upon us, but by a supreme effort he had overcome his amazement and his disappointment. † (187) This makes Stapleton†™s character more understandable by giving an inking of his greatest desire, the want for Sir Henry Baskerville dead. It is possible to note this because Doyle shows that Stapleton is obviously disappointed to find out that the dead man is not Sir Henry.Actions demonstrate a lot about the characters identity. But more tools are needed to ascertain full knowledge of a persona. The third method of Characterization is using the thoughts or comments of other figures in the book to tell more about the character. In The Hound of the Baskervilles, Mrs. Stapleton describes him, ‘â€Å"†¦ Oh this villain! See how he has treated me! ‘ She shot out her arms out from her sleeves, and we saw with horror that they were all mottled with bruises. â€Å" (216-217) The statement of Mrs. Stapleton describing Mr. Stapleton as being a villain for hurting her is an obvious sign of malevolence and clearly shows his disposition This is not the last method of Characterization for all fo ur are needed to completely identify a character.The last method of Characterization is given by the narrator through a firsthand comment on the person To finalize the identification of Mr. Stapleton Sir Arthur Conan Doyle provides this statement from the narrator's point of view, â€Å"But there was no sign within it of that desperate and defiant villain whom we expected to see† (215) this final example dictates that Mr. Stapleton was indeed a desperate and defiant villain and verifies the way that Mr. Stapleton perceived as a foul and wicked man. Many methods are used by authors to give life to their extraordinary characters. Showing great skill in the area of Characterization, Sir Arthur Conan Doyle brings forth intriguing and thought provoking personas that make his tale, The Hound of the Baskervilles so unique to readers everywhere.

Managerial Accounting Essay

01)How does managerial accounting differ from financial accounting? A: Managerial accounting is concerned with providing information to managers for use inside the organization. Financial accounting is con ¬cerned with providing information to stockhold ¬ers, creditors, and others outside of the organi ¬zation. 02)Pick any major television network and describe some planning and control activities that its managers would engage in. A: Five examples of planning activities include: 1.Estimating the advertising revenues for a future period. 2.Estimating the total expenses for a future period, including the salaries fo all actors, news reporters and sportscasters. 3.Planning how many new television shows to introduce to market. 4.Planning the network’s advertising activities and expenditures. 5.Planning each television show’s designated broadcast time. Five examples of controlling activities: 1.Comparing the actual number of viewers for each show to its viewership projections. 2.Comparing the actual costs of running a production studio to the budget 3.Comparing the revenues earned from broadcasting a sporting event to the costs incurred to broadcast the event. 4.Comparing the actual costs of producing a made for television movie to its budget. 5.Comparing the actual cost of providing global and local news coverage to the budget. 03)If you have to decide whether to continue making a component part or to begin buying the part from an overseas supplier, what quantitative and qualitative factors would influence your decision? A: the quantitative analysis would focus on determining the potential cost saving from buying the part rather than making it. The qualitative analysis would focus on broader issues such as strategy, risks, and corporate social responsibility. 04)Why do companies prepare budgets? A: companies use budgets to translate into formal quantitative terms. Budgets are used for various purposes, such as forcing managers to plan ahead, allocating resources across departments, coordinating activities across departments. These various purposes often conflict with one another, which makes budgeting one of management’s most challenging activities. 05)Why is managerial accounting relevant to business major and their future careers? A: Managerial accounting is relevant to all business students because all managers engage in planning, controlling, and decision making activities. If managers wish to influence co-wokers across the organization, the must be able to speak in financial terms to justify their proposed courses of action. 06)Why is managerial accounting relevant to accounting major at the futures careers? A: The institute of Managerial Accountants estimates that 80% of accountants work in non-public accounting environments. Accountants that work in corporate, non-profit, and governmental organizations are expected to use their planning, controlling and decision making skills to help improve performance. 07)Pick any large company and describe its strategy using the framework in the chapter. A: Amazon.com competes in terms of operational excellence. The company focuses on delivering products faster, more conveniently and at a lower price than competitors. Its using the planning, controlling and make decision making. 08)Why do management accountants need to understand the company’s strategy? A: Planning, controlling and decision making must be performed within the context of company’s strategy. 09)Pick any large company and describe three risks that it faces and how it responds to those risks. A: the company is NIKE, which has suppliers in over 40 countries. One risk that NIKE faces is that its suppliers will fail to manage their employees in a socially responsible manner. NIKE faces the risk that unsatisfactory environmental performance will diminish its brand image. The company is investing substantial resources to develop products  that minimize adverse impacts on the environment. NIKE faces the risk that customers will not like its new products. The company uses focus groups research to proactively assess the customers’ reaction to its new products. 10)Provide three examples of how a company’s risks can influence its planning, controlling and decision-making activities. A: Airlines face the risk that large spikes in fuel prices will lower their profitability. They may reduce this risk by spending money on hedging contracts that enable them to lock-in future fuel prices that will not change even if the market prices increases. 11)Pick any large company and explain a three ways that it could segment its companywide performance. A: Procter&Gamble could segment its performance by product category (Beauty and grooming, Household care, Health and well-being), product line ( crest and tide), and stock keeping units ( Crest cavity protection toothpaste, crest extra whitening toothpaste and crest sensitivity toothpaste). 12)Locate the website of any company that publishes a corporate social responsibility report (also referred to as a sustainability report). Describe three nonfinancial performance measure included in the report. Why do you think the company publishes this report? A: Timberland publishes quarterly corporate social responsibility metrics ( www.earthkeeper.com/CSR/csrdownloads.) there of those metrics include metric tons of carbon emissions the percentage of total cotton sourced that is organic and renewable energy use as a percent of total energy usage. He’s corporate slogan of â€Å"doing well by doing good† suggests that the company publishes CSR reports because that its financial success is positively influenced by its social and environmental performance. 13)Why do companies that implement lean production tend to have minimal inventories? A: companies that use learn production only make units in response to customer orders. They produce units just in time to satisfy customer demand, which results in minimal inventories. 14)Why are leadership skills important to manager? A: organizations are managed by people that have their own personal interests, insecurities, belief, and data supported conclusions that ensure unanimous support for give course of action is the exception rather than the rule. Managers must possess strong leadership skills if the wish to channel their co-wokers’ efforts towards achieving organizational goals. 15)Why ethics important to business? A: Ethical behavior is the lubricant that keeps the economy running.

Tips to Improve Your French Vocabulary

Tips to Improve Your French Vocabulary Words, words, words! Languages are made up of words, and French is no exception. Here are all kinds of French vocabulary lessons, practice ideas, and tips to help you get better at learning and remembering French words. Resources to Learn French Vocabulary The following resources will help you learn, practice, and master French vocabulary. French Vocabulary: Utilize vocabulary lists and lessons on all the basics and topic areas including introductions, food, clothing, family, and more.Mot du Jour: Learn 5 new French words a week with this daily feature.French in English: Many French words and expressions are used in English, but do not always have the same meaning.Cognates: Hundreds of English words mean the same thing in French, but some are false cognates.French Expressions: Idiomatic expressions can really spice up your FrenchHomophones: Many words sound alike but have two or more meanings.French Synonyms: Learn some new ways to say the same old things and master words like bon, non, oui, petit, and trà ¨s.   Know Your Genders One of the most important things to remember about French nouns is that each one has a gender. While there are a few patterns that let you know what the gender of a particular word is, for most words, its just a matter of memorization. Therefore, the best way to know whether a word is masculine or feminine is to make all your vocabulary lists with an article, so that you learn the gender with the word itself. Always write une chaise or la chaise (chair), rather than just chaise. When you learn the gender as part of the word, youll always know what gender it is later on when you need to use it. This is particularly important with what I call dual-gender nouns. Dozens of French pairs have different meanings depending on whether they are masculine or feminine, so yes, gender really does make a difference. Chance Encounters When reading French, its very likely that youll come across a lot of new vocabulary. While looking up every single word you dont know in the dictionary may disrupt your comprehension of the story, you might not understand anyway without some of those key terms. So you have a few options: Underline the words and look them up laterWrite down the words and look them up laterLook up the words as you go Underlining is the best technique because when you look the words up later, you have the context right there in the case of words with multiple meanings. If thats not an option, try to write down the sentence in your vocabulary list, rather than just the word itself. Once youve looked everything up, read the article again, with or without referring back to your list, to see how much more you understand now. Another option is to look up all the words after each paragraph or each page, rather than waiting until youve read the whole thing.Listening can also offer up a lot of new vocabulary. Again, its a good idea to write down the phrase or sentence so that you have the context to understand the meaning provided. Get a Decent Dictionary If youre still using one of those little pocket dictionaries, you need to seriously consider an upgrade. When it comes to French dictionaries, bigger really is better. Practice French Vocabulary Once youve learned all this new French vocabulary, you need to practice it. The more you practice, the easier it will be for you to find just the right word when speaking and writing, as well as to understand when listening and reading. Some of these activities might seem boring or silly, but the point is simply to get you used to seeing, hearing, and speaking the words - here are some ideas. Say It out Loud When you come across a new word while reading a book, newspaper, or French lesson, say it out loud. Seeing new words is good, but saying them out loud is even better, because it gives you practice both speaking and listening to the sound of the word. Write It Out Spend 10 to 15 minutes every day writing lists of vocabulary. You can work with different themes, such as kitchen items or automotive terms, or just practice words that you continue to have trouble with. After you write them down, say them out loud. Then write them again, say them again, and repeat 5 or 10 times. When you do this, youll see the words, feel what its like to say them, and hear them, all of which will help you the next time you are actually speaking French. Use Flashcards Make a set of flashcards for new vocabulary by writing the French term on one side (along with an article, in the case of nouns) and the English translation on the other. You can also use a flashcard program like Before You Know It. Label Everything Surround yourself with French by labeling your home and office with stickers or post-it notes. Ive also found that putting a post-it on my computer monitor helps me remember those terms that Ive looked up in the dictionary a hundred times but still cant ever seem to remember. Use It in a Sentence When you go over your vocab lists, dont just look at the words - put them into sentences. Try making 3 different sentences with each word, or try to create a paragraph or two using all the new words together. Sing Along Set some vocabulary to a simple tune, like Twinkle Twinkle Little Star or The Itsy Bitsy Spider, and sing it in the shower, in your car on the way to work/school, or while washing the dishes. Mots Flà ©chà ©s French-style crossword puzzles, mots flà ©chà ©s, are a great way to challenge your knowledge of French vocabulary.

Free Essays on Math

Word Count: 729 Math is an essential asset in the business world. Without mathematics businesses wouldn’t be able to operate effectively. In order to run a restaurant math plays an important role in a lot of different areas. For instance the items on the menu may change due to the way it sells. Bookkeeping and math allow you to both figures out what items are profitable and what items are selling. The business world revolves around math, from profit and loss statements, to graphs, to taxes. Everything in business requires mathematics. Owning a restaurant is no different then any other field of business when it comes to math. The simplest things in a restaurant could not happen without math such as paying for your meal. Math is used to add up the total cost of a person’s bill as well as adding in the sales tax. More advanced math is used in the restaurant business as well. Using equations to determine what your business can afford to buy as well as the difference in the cost of the product and the profit it turns over is all determined by math. Jobs you might not even think require math do, such as portioning products or prepping food. When you are preparing food you need to measure amounts of ingredients and measurements are a form of mathematics. Wheatley-2 Keeping your books up to date requires math as well. When keeping records of your restaurant’s sales you can keep track of your busy periods to know when you are required to order more food or alcohol. Equations are used then to determine what and how much you need of a product. Using math to determine a product markup is an important process to a successful business as well. Determining the overall cost of a dinner special and factoring in each amount of the ingredients used all goes towards the final cost of a dinner special. The main objective in ow... Free Essays on Math Free Essays on Math Word Count: 729 Math is an essential asset in the business world. Without mathematics businesses wouldn’t be able to operate effectively. In order to run a restaurant math plays an important role in a lot of different areas. For instance the items on the menu may change due to the way it sells. Bookkeeping and math allow you to both figures out what items are profitable and what items are selling. The business world revolves around math, from profit and loss statements, to graphs, to taxes. Everything in business requires mathematics. Owning a restaurant is no different then any other field of business when it comes to math. The simplest things in a restaurant could not happen without math such as paying for your meal. Math is used to add up the total cost of a person’s bill as well as adding in the sales tax. More advanced math is used in the restaurant business as well. Using equations to determine what your business can afford to buy as well as the difference in the cost of the product and the profit it turns over is all determined by math. Jobs you might not even think require math do, such as portioning products or prepping food. When you are preparing food you need to measure amounts of ingredients and measurements are a form of mathematics. Wheatley-2 Keeping your books up to date requires math as well. When keeping records of your restaurant’s sales you can keep track of your busy periods to know when you are required to order more food or alcohol. Equations are used then to determine what and how much you need of a product. Using math to determine a product markup is an important process to a successful business as well. Determining the overall cost of a dinner special and factoring in each amount of the ingredients used all goes towards the final cost of a dinner special. The main objective in ow...