Fantasy V Reality †Streetcar Named Desire Essay

Fantasy v populaceRemember AO1 communicate clearly the knowledge, insureing and insight appropriate to literary study, apply appropriate terminology and accurate and coherent written expression.DuBois homo* old south outlook* agedness Southern belle who lives in a state of perpetual panic around her fading beauty * head start she was half sane, then contri excepting mountain drive her to insanity. * Loss of existence, represents magic* The state of your life is nothing much than a reflection of your mind restrain. * It wouldnt be make believe if you believed in me blastoff 7 * horizontal surface of a changing South containing characters seek with the loss of aristocracy to the crude American immigrant, the f completelyout of chivalry to a new mind-set of call forth and intrust, and a woman grasping desperately at the last chip shot of trick she can muster. DuBois World* old south mindset* Aging Southern belle who lives in a state of perpetual panic about her fad ing beauty * Beginning she was half sane, then contributing spate drive her to insanity. * Loss of reality, represents fantasy* The state of your life is nothing more than a reflection of your mindset. * It wouldnt be make believe if you believed in me Scene 7 * Story of a changing South containing characters struggling with the loss of aristocracy to the new American immigrant, the fallout of chivalry to a new mind-set of waken and desire, and a woman grasping desperately at the last bit of fantasy she can muster.The structure of A Streetcar Named Desire is best seen through a series of confrontations in the midst of Blanche DuBois and Stanley Kowalski. In the first scene the confrontation is not so severe, but it increases in severity until one of the two must be destroyed. To understand fully the scenes of confrontations, the reader should have a near(a) understanding of what is at stake in each encounter. That is, he should understand some of the differences in the midst o f the DuBois world and the Kowalski world. Kowalski World* new south mindset * Beastly, Stanley possesses an animalistic individualized vigor that is evident in his hunch forward of work, of fighting, and of sex * Represents reality * He acts uniform an animal, has an animals habits grub a same one, moves alike one, negotiation like one Theres level(p) off something sub-human something not kinda to the stage of humanity yet Yes, something ape-like about him, like one of those pictures Ive seen in anthropological studies.With his Polish ancestry, he represents the new, heterogeneous America Scene 4 (Blanche) * Destroys Blanches fantasyKowalski World* new south mindset * Beastly, Stanley possesses an animalistic somatogenic vigor that is evident in his love of work, of fighting, and of sex * Represents reality * He acts like an animal, has an animals habits Eats like one, moves like one, talks like one Theres even something sub-human something not quite to the stage of humanity yet Yes, something ape-like about him, like one of those pictures Ive seen in anthropological studies.With his Polish ancestry, he represents the new, heterogeneous America Scene 4 (Blanche) * Destroys Blanches fantasyExploration of point of accumulation amid exterior and interior sets. Two room Kowalski apart custodyt reflects surround streets. Scene 10 grotesque menacing shapes, jungle noises and distorted unison atomic number 18 employed to reflect Blanches terror. Scenes 10 and 11 The utilise of distorted shapes and jungle cries as symbols of human cruelty. Scene 9 We study the vendors cry of the Mexican Woman, Flores, flores para los muertos (flowers, flowers for the dead).It follows the moment when Mitch denounces Blanche as a liar and thereupon refuses to marry her. Blanche and Stella have huge dependence on male companions as it is their only way to achieve happiness (their reenforcement and self image are reflected through men) Scene 4 Blanche recognises that Stella could be happier without the abusive husband for support, but this is hypocritical as she calls Shep Huntleigh for financial support. Stella chooses Stanley for love Williams does not criticize but makes it clear that there is a approaching with him.A Streetcar Named Desire Plot AnalysisMost good stories start with a fundamental list of ingredients the initial situation, conflict, complication, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice. Initial mail serviceMeatYes, thats right the early interactions between Stella and her husband fashion the initial situation of A Streetcar Named Desire. Its important for us as the reader/audience to see the status quo of the Kowalskis alliance before Blanche shows up and alters it for the duration of the swordplay.ConflictBlanche arrives something is upThe immediate physical incongruity of Blanche and her surroundings lets us know that she isnt going to belong i n healthy here in New Orleans. Her first chat with Stella hints at secrets shes trying to hide. And her first encounter with Stanley is wrought with tension, intimate and otherwise. All the news of the loss of Belle Reve doesnt help, either.ComplicationBlanches family with Stanley grows more and more ill-sorted, especially as Stanley learns more about Blanches past in Laurel. Blanche and Stanleys relationship grows more and more difficult, with Blanche endlessly insulting him, and Stanley becoming more angry and aggressive.Stanley similarly learns about Blanches secret past, which he informs Stella and Mitch of. These multiple, small complications are what modern writer and essayist John Barth calls incremental perturbations the water gets muddier bit by bit as the play progresses, and any new complication adds a layer of intensiveness and emotional weight to the invention.ClimaxScene Ten the intrusionDid you take in all over that Stanley says to Blanche, Weve had th is date with each other from the beginning? We know that 1) Stanley doesnt like Blanche, 2) he takes out his anger physically, and 3) hes practically be by his sexual aggression. This scene seems the inevitable result of their increasingly antagonistic relationship.SuspenseAlready happenedIn this play, the suspense stage can be found in Scene Ten with the Climax. The suspense builds as we watch Blanche interact with Stanley, make a frantic phone call, declare repeatedly that shes caught in a trap, and try to run away. Once the rape is over, we enter Scene football team without further suspense.DenouementScene ElevenWith the rape and the birth of Stella and Stanleys child over and done with, the plays final scene has falling action written all over it. Blanches descent into madness is complete, and were now feel at the by and bymath to the destruction that took place at the earlier climax. ratiocinationStanley and Stella on the porch togetherStellas reaction to Blanches condition and story regarding her husband, and her decision to carry on her marriage in spite of it, manufacture the plays conclusion. This is summed up nicely in the image of her school term on the porch with her baby in her arms, accepting comfort from her husband after her siss just been carted off to an institution.DialogueScene 9 when I die, Im going to die on the Sea. presentation how after everything Blanche is accused of and put through, her fantasy is to be by the sea, process clean and tranquil. Scene 9 die..hand in hand of some nice- face ships doctor, a very young one.. Again, Blanche has always fantasized over young men, there are some references to Blanche and young men throughout the play.Scene 9 I dont want realism, I want magic. Magic. Throughout the play Blanche is the symbol of Fantasy. She dislikes the way things are in reality, and so lets herself live in her consume woolgather world. Scene 4 He acts like an animal, has an animals habits Eats like one, moves l ike one, talks like one Blanche likes to think of people in a more outworldy way. She tries to justify the way Stanley is by saying hes just not human.Stage directionsScene 7 Contrapuntal staging irony with Blanches singing and Stanleys gossiping. it wouldnt be make believe, unless you believe in me Blanches fairy like songs , bringing her rachis to her dream world, wanting to escape from reality. The music of the Blue Piano. every now and then Blanche breaks through her fantasy world and into reality again, this is sh bear when the muddy piano plays. It is a memory of her dead husband, and the way that he died. From Blanches reaction towards the music playing, we can tell it is a memory she wishes to embarrass she sways and covers her face, the polka tune fades out. Her breath is drawn and released in long, acceptable sobs.Bibliography http//www.sparknotes.com/lit/streetcar/themes.html Blue piano, magicAO3 perspectives and viewpoints* Marxist viewpoint feeling at the play A Streetcar Named Desire, it can be analysed through a Marxist perspective, reading into how the differentiate conflict throughout the play is prominent in establishing Blanches role. Blanche and Stella are from a healthful off background, a plantation called belle reve. Stella has lived in New Orleans and has fitting well to the unfair male structure of the world she lives in, however the comer of Blanche attempts to undo this with her intellect. However, even Blanche herself unable to break free from the convention of cosmos second class citizen due to her status as a female, disdain being intellectually superior to the males.The class spit out between Blanche and Stanley is a key focus point throughout the play, with Blanche looking d profess on Stanley, constantly referring to him as a polack, a derogatory term she uses to set her superiority amongst him. This however backfire massively as it causes huge tensions between Stanley and Blanche, ending once the rape of Blanc he has been successfully attempted. This can show in Williams point of view how despite room for reassign, the American mid-forties is not ready for equality and change, with the class perspective overruling equality.Ironically in the Marxist viewpoint, equality should be achieved by all in a socialist society A Streetcar Named Desire elaborates on how the compositions of class equality is nothing more than a pipedream which cannot be attempted nor achieved in the dense capitalist America the play is set in. It can be further extrapolated to assume that Williams play is one to show the bitter struggle between fantasy and reality, with Marxism being the fantasy which cannot be achieved.* Queer conjecture viewpoint Links can be established with Williams own jocund perspective of his personal life, uses the play a streetcar named desire to show the oppressiveness he himself faces through being a gay man in the American 1940s it was considered an illegal immoral activity, and so he could not openly state his personal life. Through using blanche he portrays his own fractured psyche, linking his oppression as a homosexual to the oppression she faces in the misogynistic structure of America at that time.Whilst a time of change many things were still suppressed, with homosexuals and females being considered to be lower class than men, even males with a lower class background than the females. This can link well with how Blanche is treated during the play, despite coming from a higher class than the men of the play, she herself is supressed in her activities, and is considered mentally incapable and weak by the male characters as the play progresses.It can be inferred that Williams uses the female characters of the play to convey his own sense of inferiority during the American 1940s. Williams ideas of fantasy versus reality feature conspicuously though the queer perspective he clearly shows Blanches own broken mind, elaborating by the end how she sees lurid refle ctions appear on the walls in odd, sinuous shapes. This can be seen as Blanches own struggle with fantasy versus reality, unable to distinguish the two.AO4 Other workThe themes of Streetcar are typical of Williams work. The idea of feeling trapped in a fantasy world, much like in The Glass Menagerie. The contrast in gender, woman feeling much more insecure about the reality of the outside work than the men of the plays was a common idea for many of Williams plays. The themes of fantasy in A Streetcar Named Desire are also similar to those of Summer and Smoke. The sexual and spiritual characteristics of Blanche are much like that of the character Alma in Summer and SmokeWilliams personal lifeWilliams sister was diagnosed with Schizophrenia and he remained close with her throughout his life. It can be inferred that this greatly influenced the ideas of mental illnesss being basis for fantastical elements at heart his plays. In the late 1930s Williams accepted he was homosexual, this w as a wickedness during his period in which he lived in. this mean that Williams arguably included the idea of homosexuality in many of his plays as a way of escaping the troubles of his personal life. For example it is suggested that Blanches young lover who ended his life in A Streetcar Named Desire was homosexual. Historical backgroundThe American trance was a key idea in the US during the 1940s as it was soon after The Great Depression This dream is often mentioned throughout the play, the name of Blache and Stellas old house being Belle Reve translating to beautiful dream